Showing posts with label classical music. Show all posts
Showing posts with label classical music. Show all posts

Rubinstein Collection, Vol. 27 [Box set, Original recording remastered] Review

Rubinstein Collection, Vol. 27Arthur Rubinstein made three recordings of Chopin's 51 Mazurkas, this second set being made in 1952-1953. As with most everything he made multiple recordings of, the three sets of Mazurkas (along with three Mazurkas he recorded separately in 1932) make for fascinating comparisons. There is a gradual metamorphosis from the more exciting, brilliant, and episodic performances of the 1930s toward the more sober, reflective, structurally cohesive approach of the 1960s recordings.
Rubinstein considered the stereo version of the mazurkas (Volume 50) one of the finest recordings he had ever made. But in my opinion, his earlier versions of the mazurkas are superior. In the 1930s set (volume 6), he more effectively captures the "swing" of this Polish peasant dance, where the 1960s version tends to sound metrically stricter. This 1950s version (Volume 27) melds the youthful and mature approaches. Rubinstein also uses a wider tonal pallette in this second set.
There are many valid approaches to these elusive gems. In addition to this set, collectors would do well to aquire the 29 Mazurkas William Kapell recorded before his early death, and the scattered Mazurkas recorded by Horowitz.
The mono sound is a bit dry, with little sense of space round the piano, but acceptable.

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Chopin: Mazurkas Review

Chopin: MazurkasA fully satisfying rendition of Chopin's mazurkas.Ashkenazy, a Russian, reminds us that these are first and foremost Polish folk dances, and are only secondarily French salon pieces (hence, he avoids the temptation to play these like dreamy, oozing, cloudy, nebulous bits of musical cotton candy, a treatment to which so many artists joy in subjecting poor Frederic's music.)Also, don't miss Ashkenazy's wonderfully introspective recordings of Shostakovich's supremely introspective preludes and fugues. A revelation.

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Brahms: The Masterworks (Box Set) [Box set] Review

Brahms: The MasterworksHaving collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.

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Haydn: The Masterworks (40 CD Box Set) [Box set] Review

Haydn: The MasterworksAs always with these huge cubes of music it is not all good. But you get 52 symphonies in the excellent set from Nimbus, the complete piano sonatas on a period instrument, which are quite decent. The Creation is good. The trios are pretty good too, and the rest is mediocre. So, if you want a boatload of symphonies and the piano sonatas this is a good choice.

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William Kapell Edition [Box set, Original recording remastered] Review

William Kapell EditionLeon Fleisher:Willy was beyond a doubt the greatest pianistic talent this country [United States] has ever produced.

No small compliment coming from another great pianist.It is a tribute to William Kapell that,although he died at the age of 31, he was already a mature artist.Onedoes not have a sense of unfulfilled potential, ala James Dean, for thereis fulfillment in plenty on each of the nine discs in this boxed set.Iknow of no other pianist who gave so many definitive performances in such ashort time.

The Chopin Sonata in B Minor, Op. 58 is easily the best thislistener has ever heard, either on record or in concert--Kapell outclasseseven Rubinstein.The same can be said for the Mazurkas, which carefullybalance the dance elements of these small jewels with their tone poemqualities.

Both the Rachmaninoff Second Concerto and the PaganiniRhapsody eclipse all other recordings, even those of the composer--whocertainly knew how to play the piano.

Two other Russian concertos, byAram Khachaturian and Sergei Prokofiev, were early staples of Kapell'srepertoire--and the performances are again a perfect balance of poetry andfury, which is exactly what this music requires.

A recording of Kapellin recital from March of 1953 (including another definitive performance:the Copland Sonata) reveals that Kapell's extraordinary technique andmusicianship are not the result of recording engineers and tape splicing--this is the real thing.

Perhaps most welcome of all is a twenty minute interview with Kapell, which reveals a profundity and maturity, bothas man and musician, far beyond his years.

The sound has been superbly restored and the documentation is excellent.This boxed set is a template for how all classical music reissues should be handled.This set isindispensable for all lovers of piano music.

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